This Saturday, October 16th from 11am-2pm, the Westwood Artists will be selling their artwork at 695 High Street in Westwood, MA. Rain or Shine, the following artists will be undercover but outdoors: Carol Ahearn (Watercolor, Acrylic), Karen Cagan (Photography), Kathy O’Donnell (Origami Earrings), Betsy Husted (Hand-crafted felt garlands & wall art), Kathy Zola (Fiber), Whim Chocolates (inside Decor & More), and Lisa WB Walker (Wheel thrown & Hand built Pottery). Join us to shop locally, support small businesses and have fun shopping handmade!
Opening a glaze kiln can be like Christmas and … it can also be like Halloween. This last run was filled with new discoveries and spring cheer. Here is a look at some of my favorites.. Pricing and purchasing information is just a click away SHOP HERE.
Please join me on Saturday for an Outdoor Sale with other Westwood Artists. The Outdoor Sale on Saturday, September 26th is from 10-2 at 6 Fisher Street in Westwood.
Featured artists: Lisa WB Walker – pottery; Carol Ahearn – watercolors; Karen Cagan – photography; Jane Wojick – pottery; Kevin Becker – glass; Rita Bechara – paintings.
This is a social distanced sale. Everyone will be required to wear a mask and maintain 6 feet from other shoppers. There will be hand sanitizer on site should you wish to interact with the art.
If you would like to purchase handmade from me but are unable or uncomfortable attending an in person event, please have a look at my new pottery here on my flickr account Just email me for prices and I can either package your paid purchases to pick up at the event, my home studio in Westwood or make other arrangements for contactless purchases, including shipping pottery.
If you are attending, I will have new work in addition to a few sale specials to make room for future work in my studio (this is not a seconds sale, but price reductions in some older pieces).
In the summer months, I enjoy working with low fire clay. A lower firing temperature allows me to utilize brighter colors that can “burn out” when the temperature in a ceramics kiln is higher. I began creating my “Flowers” collection while working on my summer art classes curricula.
I spent time at my local library, pouring over books to come up with new and exciting ideas for my students and found myself interested in learning more about certain flowers.
Vessels were hand built and ready for surface decoration. Slips, textures, carving and underglaze ceramic paints were used to create imagery; low fire glazes completed the vision.
“Flowers” can be functional for bouquets in water, food for a party; or, individual pieces can be hung on a wall or displayed on a tabletop. My ceramics are meant to be picked up and explored. Textured surfaces to the finger tip are a delight. Three dimensional art begs to be touched, picked up and interacted with. Ceramics is functional art.
Please visit the Dedham Square Artist Guild to purchase a piece from “Flowers”. Each piece is one of a kind. The collection is small but varied. Each piece stands alone but works well together. “Flowers” is perfect for the collector and just right for a wedding gift.
Potters Place Open Studios is two weeks away. A cooperative studio where I teach and create, Potters Place will open it’s doors to the public for Spring Show & Sale 2018 on Friday, May 4th at 5:30pm and close on Sunday, May 6th at 4:00pm. Details
Here is a sneak peak of my Special Occasions Spring 2018 Collection of hand built and wheel thrown high fire pottery..
Buy handmade for Mother’s Day, Spring & Summer weddings & birthdays, plus graduations & bridal showers. Enjoy one of a kind functional art that can be hung on a wall, and used with food and drink. Celebrate Art with your purchase of locally made wares. At Potters Place, 23 clay artisans will be participating in this amazing spring sale – join us for fun and find something to celebrate your special occasions with!
Artists reception on Friday, May 4th is open to the public. There is free parking and transportation on the commuter rail to Walpole station.
The apple blossoms this spring were everywhere… perhaps it was the wacky weather or the fact that spring seemed to take forever to get here, all I know is that everywhere I looked, the flowers were blooming. The tree in my own front yard brought a smile to my face every time I returned home.
Life inspires art and as I sat down to create new work, the apple blossoms collection began. Using an actual twig from my tree, assorted hand carved and purchased stamps, I “drew” my clay pictures taking inspiration from shapes of my molds.
Out of the first kiln, the collection was glazed and loaded into the 2nd kiln to add functionality to each piece. At each stage, the flowers welcomed me and provided a memory that symbolized spring, rebirth, change, peace, beauty and more.
My new collection is currently installed at the Dedham Square Artist Guild. The work has a wonderful feel and quiet beauty that although functional, stands alone as ceramic art. There are 6 pieces in this group … 2 small square plates, 2 small oblong trays and 2 larger square plates. The Guild is open Wednesday – Saturday 12-6, Sunday 11-2 in Dedham Square.
The Dedham Square Artist Guild teamed up with the Dedham Parish Players for the February/March Artist Challenge. Together they chose “Neverland” as the theme. The Opening Reception is Thursday, February 26th from 6:00pm to 8:00pm.
For my entry, I decided to repurpose one of my wheel thrown stoneware plates that had been glazed in a clear gloss with a foamy rim. It was a blank canvas to experiment with.
“Neverland…Fly to Neverland with Peter Pan and see what we find…fairies and mermaids, pirates and crocodiles, and children who live forever. We’re paying tribute to J.M. Barrie’s Peter Pan from Neverland. Of course, Neverland could mean something completely different for you…show us!”
Opening Reception: Thursday February 26, 6pm to 8pm
Exhibition Dates: February to March 31, 2015
This exhibit is being produced in conjunction with the Parish Players newest production of “Neverland”. Their performances will take place in late March. Visit the Parish Players for more information on how to purchase tickets.
This Challenge was open to all artists, working in any medium, who work/reside in eastern Massachusetts.
The show is exhibited in the lower gallery at the Dedham Community Theatre located at 580 High Street, Dedham, MA. The theatre is a community hot spot. It shows new releases every day of the week, including one’s that recently won oscars!, in a movie hall in the center of Dedham Square.
For my entry, I used the image of a star to represent Tinkerbell’s magical fairy dust. I created a hand-cut stencil and gold enamel paint to embellish the surface of one of my wheel thrown stoneware plates.
I designed the plate as a functional piece. The stars scatter across the plate rim outside and around where food will be. They float like Tinkerbell’s pixie dust to create a magical moment.
I imagine the plate to be used by a young child who believes in the magic of Tinkerbell and dreams of Peter Pan and his adventurous life. It is the parent or caregiver who is rewarded with the underside of the plate…
When I was a child, our family had a wonderful set of Peter Rabbit bowls that we used for breakfast cereal. I loved imagining Peter Rabbit creeping into Mr McGregor’s garden or Peter playing with this sisters, Mopsy and Flopsy. I always ate all my cereal to see the hand-painted scenes at the bottom of the bowl. For my Neverland plate, the reward is a finished meal and the opportunity to turn the plate over.
Fairy tales are for children or those young at heart. They delight us and take us to an imaginary place. As I worked on this challenge, I was reminded that being playful and dreaming is something that adds value to life. As adults, we can learn a lot from the children in our lives.
In my imagination, when I flew to Neverland with Peter Pan and Wendy, I enjoyed watching the children learning to fly, the magical fairy dust that took them on their adventure. It was the thrill of something new and unimaginable that one can only dream about.
I imagine my “Neverland” plate to be hung on a wall. On special occasions, perhaps when it is snowy outside and there is a warm fire, the plate is taken down and placed in front of a young child to eat a comforting meal with a caregiver who will tell them a story. The story will be of adventures in distant lands. When that child goes off to bed, the caregiver will wash the magical plate and return it to the wall to hang, a constant reminder to enjoy the magic around us.
Custom work begins with trust. A customer seeks an artist out as a means to translate their vision into something tangible. Success depends on two parties sharing the same vision. There is no doubt about it: custom work is the toughest thing out there. With ceramics, other factors come into play… cracking, kiln issues, glaze problems and the biggest one – the client doesn’t share your vision and is unhappy with the final product…. BUT, this is a happy story!
The journey for a set of six plates began some time ago with the sample on the right not the sample on the left.
As I reflect back on this experience, I am reminded about a personal quest to translate my own vision into the tangible. Umpteen years ago, I was re-modelling my kitchen and choosing a tile. I really struggled with the decision and ended up going with a white novelty tile surrounded by solid white tiles. A few years later, I was in a neighbor’s kitchen and noticed that she had the same novelty tile in her kitchen, but each tile was a different color. I thought to myself, I should have chosen those tiles; they seemed to say so much more about who I am.
How does my story relate to this order? …. Sample one is safe (the white tile choice), but sample two is personal (the colored tile). Either choice works.
A custom order is all about understanding a request and translating it successfully.
When I understood what was really sought after, I went from sample one, a white plate with a foamy white rim wheel thrown with white stoneware, to sample two, an earthy nutmeg colored plate wheel thrown with a mix of different stoneware clays to incorporate speckles. Sample two was in fact a better choice and one that came as a happy surprise to my client. Once the sample was approved, the artist becomes the potter and the hard labor ensues.
The vision was shared by the customer and the journey was a success.
Potters Place, a not for profit school and cooperative pottery studio, is home to 23 working potters and 5 clay instructors. I’ve been a member of Potters Place for 10 years. We share kilns, make glazes, plus all the things that go into running a successful cooperative studio. Each year, we host two open studio events (fall and spring). Year-round, we have a small gallery on site where customers can come by appointment and purchase direct from the potters of Potters Place.
Potters Place is located at 127B Old West Street in Walpole, MA. P: 508-668-0363. Hours: By appointment.
Boston Globe reports:
BOSTON — The annual sales tax holiday in Massachusetts would be held Aug. 16-17 under a bill released by a legislative committee of conference on Wednesday evening.
The sales tax holiday was included in an economic development bill, which is among the last major pieces of legislation being considered before the legislative session ends for the year on Thursday.
Rep. Joseph Wagner, a Chicopee Democrat and chairman of the Joint Committee on Economic Development and Emerging Technologies, said that sales tax holiday “is significant for the Commonwealth’s economy.
Above pictured pottery by Lisa W B Walker are featured with other pottery created by Potters Place members currently in the Potters Place Gallery.
After a long time emailing, cousin Betsy and I finally got together for a visit. We met at the Museum of Fine Arts Boston, the perfect place for two artists to reconnect. We looked at art; we talked about art; we talked about family. It was a perfect day.
It took me a long time to process this visit. I finally settled on an image of a carved panel on the front door of the Huntington Avenue entrance to the Museum of Fine Arts Boston. I felt it symbolized what had happened that day and where a door had opened.
My interpretation took the form of a large square plate with three smaller plates. The image of the door panel is carved into the clay, the center is painted and dots are like compass points. Little crisscross bowls complete the Betsy Collection.
When I think about this day, the first image that pops into my head is seeing Betsy by the doorway. She turns to me and I notice how blue her eyes are and then how excited I am to to see her. We opened the door to the museum and the art surrounded us.
The Betsy Collection was complete when I received an email from the Museum of Fine Arts this spring announcing MFA Director Malcolm Rogers’ retirement. Notice the carved door panels. He’s ready to exit from these doors.
I’ve been a member of the Museum of Fine Arts for at least 25 years. I’ve watched the MFA move from the only game in town to having to compete with the contemporary ICA and stoic Isabella Stewart Gardener Museum, just to name few of the Boston Giants. The transition was led by Malcolm Rogers and he succeeded in ways that make me proud to be a member. The carved door panel appears symbolic as the place where Rogers with leave from; for me, it is symbolic as the place to enter and begin anew.